Initiation
The Path of Initiation
Apprenticeship
Teacher, Peers, and Preparation
To become a kerei requires a learning period of many months — a commitment that reshapes a man’s daily life, his relationships, and his place within the community. The journey begins quietly, usually after marriage, when a novice chooses his teacher: a paumat, a master shaman from another uma, often an uncle or respected elder from another lineage. A father cannot train his own son; that responsibility must lie outside the immediate family, ensuring that spiritual power flows through wider social bonds.
A novice rarely trains alone. Several young men may enter apprenticeship together, learning side by side and forming friendships that last for life. Their shared discipline — taboos, study, self-denial, and ritual — creates a brotherhood of spirit. The paumat is honored with pigs and gifts throughout the training period, and the bond between the two families deepens as the novice progresses.
Before the first ritual begins, the entire community works together: sago flour is prepared in abundance, wood is gathered, bamboo is cut, pigs and chickens are raised, and kabit — the red-dyed bark loincloths of the kerei — are crafted.
Pukereijat
A Journey of Seclusion, Training, Rituals, Ceremonies, and Initiation
The journey toward becoming a shaman — known as Pukereijat — unfolds over many months and through several distinct phases. It is anchored by a cycle of five major ceremonies. During this time, all non-essential work becomes taboo; the rhythm of ordinary life slows so that spiritual labor may take precedence.
Tadde
The First Rite — Opening the Path
Tadde marks the official beginning of the novice’s path.
As dusk falls, the house is ritually cleansed. The kerei summon ancestors, protective spirits, and drive out harmful forces. When the drums begin, the entire uma vibrates with their resonance: the deep, warm rhythm of the kajeuma — palm-wood drums covered with python skin and heated by the fire to sharpen their voice.
Throughout the night, shamans dance to these rhythms. Their movements imitate the forest’s creatures — birds, butterflies, monkeys, and other beings whose gestures carry strength, grace, or agility. These dances are more than performance; they awaken the novice’s soul and call upon ancestral presence.
As the hours pass, the dances intensify. Some kerei enter trance, guided by visions, communicating with the world beyond, seeking signs, approval, or warnings. The atmosphere is electric — the boundary between the human realm and the spirit world grows thin.
Tadde is both celebration and summons: the moment when the novice steps into a lineage of mediators, watched closely by spirits and ancestors.
Seclusion in the Pulaeat
A Retreat for Purification and Discipline
After Tadde, the novice and his wife retreat into seclusion at the pulaeat, a small hut deep in the forest, built by the novice with help from family and friends. Here, far from the rhythms of community life, the real work begins.
In a private ceremony at the pulaeat, the paumat — the novice’s teacher — informs the ancestors of the novice’s intention. Offerings are made, and their support is requested, for no shamanic training can succeed without ancestral approval.
The months that follow are marked by strict taboos.
The novice and his wife live simply, without decoration or adornment, focusing on discipline, restraint, and mental preparation. They raise pigs and chickens, tend decorative plants for future ceremonies, and avoid all activities forbidden during this sacred period. Their life becomes quiet and inward, preparing the novice’s soul for the ceremonies ahead.
Preparation for Training
Crafting the Identity of a Future Shaman
While the novice lives in seclusion, family members and close allies prepare his ceremonial attire — the outer expression of his new identity. They craft:
the luat, a beaded headband marking clan identity
the tudda, a heirloom necklace of ochre-colored glass beads
the lekkau, upper-arm bands of decorated rattan
the jarajara, a feathered and leaf-adorned hair ornament
the sabo, a skirt of cloth strips and decorated rattan, worn in ritual dance